

Ultra-Contemporary Abstract Art
The Abstract-Eye
Art Collection
40 colorful, unique and individual paintings (Acrylic on Canvas)
Meet The Abstract Eyes
Vibrant, Expressive, Dynamic
The paintings are not in order based on the date they were created. They are grouped by color.
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Art Exhibition Review:
Eyes Wide Open: Jaski Watkins' Abstract Eye Invades Glover Park at the 2025 Art All Night
Washington, D.C. – September 13, 2025
In the fluorescent hum of a Whole Foods Market, where kale smoothies meet kombucha taps, art sneaks up on you like a splash of turmeric in your latte. This weekend's DC Art All Night – the city's sprawling, sleep-optional bacchanal of creativity, now in its 15th year – transformed Glover Park's unassuming cafe into a portal of pulsating abstraction courtesy of Jaski Watkins. The DMV-based artist, known on X as @jaskiwatkins, unveiled a selection from her 40-piece Abstract Eye collection in a pop-up café nook that's equal parts Instagram bait and genuine revelation.
This kind of intervention reminds us that in a city obsessed with polished facades, true urban art thrives in the everyday grind.
Watkins, an ultra-contemporary painter whose work dances on the knife-edge of color theory and automatism, has been teasing this debut for months via cryptic X posts – glimpses of swirling motifs that promise "energy through vibrant, colorful, and distinctive contemporary abstract art." Born during the pandemic's isolating haze, the “Abstract Eye” series – 40 originals unified by a singular, hypnotic "eye" motif – stares back at us with unflinching vitality, blending organic blooms and geometric fractures into canvases that pulse like urban heartbeats. For Art All Night, she's installed six of these behemoths in Whole Foods' Glover Park outpost (2323 Wisconsin Ave. NW), framing them against exposed brick arches in a sunlit café extension that feels worlds away from the produce section. A stunning democratized gallery where you can sip a flat white while contemplating the void – or, more accurately, the electric chaos of existence.
The space itself is a masterstroke of accessibility, Glover Park Main Street's nod to blending commerce with culture during the festival's Ward 3 activations. Curved metal beams overhead mimic the sweep of Watkins' brushstrokes, while warm wooden tables invite lingering. Golden pendant lights dapple the raw brick walls, where the paintings hang like defiant guardians: a crimson vortex that drips like urban runoff; a lime-green mandala fracturing into infinity; an orange inferno of petals and lines that demands you lean in, closer, until the "eye" at its core locks with yours. These aren't polite abstractions – they're visceral, born from Watkins' signature fusion of fluid forms and bold palettes, evoking the raw energy of street murals refined through gallery polish. This installation feels revolutionary in a city where public art often bows to bureaucracy: unpretentious, immersive, and utterly alive.
Art All Night, running through tomorrow (September 13) across all eight wards, has long been DC's antidote to elitist galleries – a Nuit Blanche-inspired frenzy of pop-ups, performances, and midnight markets. Watkins' contribution, teased as a "beautifully insane" transformation, elevates Glover Park from sleepy residential enclave to must-hit hub.
In effortless command, Watkins unpacked the series' genesis: a pandemic-born meditation on connection, where each "eye" becomes a lens for shared humanity amid isolation.
The genius here: inclusivity without dilution. Grab a stool amid the low-key bustle – a couple debates the merits of organic quinoa nearby, a solo reader nurses an IPA – and let the works wash over you. The central orange piece mirrors the festival's whirlwind energy with its molten drips and cerulean core. Watkins, whose career spans 20 years, starting with Eastern Market hustles to international invitations (Milan's next on her horizon, with @FlyerArtGallery), proves that urban art doesn't need velvet ropes; it needs venues like this, where the scent of fresh bread mingles with a surprise of stunningly beautiful abstract Art.
As the night bled into dawn – fire dancers flickering outside, the app buzzing with nearby murals in Shaw – Watkins' eyes lingered in my periphery, a reminder that DC's art scene is at its best when it invades the ordinary. This pop-up runs through September, so no excuses: Detour from your next grocery run.




Why the Abstract-Eye Art collection matters
This series of 40 original acrylic paintings, each a striking 30 x 40 inches on canvas, transcends mere; it serves as a lifeline and a bold proclamation of art's power in tumultuous times. Follow the creative evolution at @abstracteyeart. My of acrylic on canvas allows for a dynamic immediacy, urging me to trust my instincts and let the brush freely, mirroring my thoughts. Each piece invites you into an intimate dialogue—an interaction between clashing andizing colors, and abstract forms that evoke a penetrating gaze. With layers of texture and hues, each painting stands as a unique narrative, intricately woven into a compelling, cohesive whole.












































